Wednesday, October 19, 2016
I was recently asked about what drew me into the calligraphic world. I remember being enticed by the world of offhand flourishing and the beautiful creative patterns that I saw in The Ames Compendium and Ornate Pictorial Calligraphy. I was hooked just by looking at the images. Skill came slowly and was hard earned. I practiced for hours a day and made very slow progress. I broke pen nibs, ran into trouble finding the correct pen point to suit the skills that I had in my hand at the time, paper surfaces challenged me and I wanted to use colour but didn't know what would work in my pen. I made a lot of mistakes and learned a lot of lessons. My daily practice included writing letters and decorating envelopes to mail out to friends and family.
Monday, October 10, 2016
Canadian Thanksgiving always brings changes. Store displays are very differnt. Full of bright orange pumpkins, scarecrows and Ontario's harvest. Flavours change to darker, richer, and more robust than the lighter fare of summer. Sounds change in the garden. There are different birds at the feeders, their chirps filling the air differently than in spring and summer. And light changes. Mornings bring a different type of light to the garden.
Wednesday, September 21, 2016
My usual approach for watercolour work is to just grab the closest piece of available hot press paper and begin working. I had some preparation to do for my upcoming Enchanted Letters workshop so I grabbed my pre-cut watercolour paper and began to work. Ken Bromley Art Supplies in the UK.
Tuesday, September 13, 2016
September always seems to put me back on track! I am hard at work preparing for my final fall workshops. Taking a quick break from working on the handouts for my Festive Flourish
Wednesday, September 7, 2016
This summer's project was to begin a meditation garden.